‘War: Wrath and Revenge‘, a captivating political drama, premiered on Netflix on December 28. The six-part mini-series was produced by Mo Abudu.
The miniseries quickly became a must-watch for film lovers after the release of several of its thrilling teasers. While serving as a sequel to ‘Sons of the Caliphates,’ the producer did an intentional and commendable job ensuring that it stands alone seamlessly, welcoming new viewers without the risk of confusion.
SYNOPSIS
Nuhu Bula looks set to be the next governor of Kowa. His wife, however, learns he wants to marry another woman and does everything she can to stop him.
THE STRONG POINT OF THE MINI-SERIES
Right from the opening scenes, it is evident that the cinematography in the series is of exceptional quality. The use of the best visual elements ranging from the camera angles to the shooting effects makes every scene appealing. The choice of locations also adds a layer of realism, making the series more relatable.
The casting choices and performances are a major highlight of the film. Mofe Duncan, Ayoola Ayolola, and Ifeanyi Kalu deliver outstanding and professional performances in embodying their roles. For the exceptional role of Binta in the series, Rahama Sadau deserves her flowers.
The story of the series is a good and entertaining one about politics. The element used in telling the story is also commendable. The use of suspense and cliffhangers makes it more thrilling. For instance, how Ifeanyi Kalu became the real villain of the series is totally unexpected.
Another notable aspect is the series’ insightful reflection on the northern political scene. Over the years, we have seen several but they mostly reflect the eastern and western parts of Nigeria. However, ‘War: Wrath and Revenge’ sheds light on the intricacies and atrocities in the quest for political power from a northern viewpoint.
The costume of the series is a highlight of the series. Every costume worn further reflects the northern culture. From Rahama Sadau’s stylish outfits to Theresa Edem-isemin’s stunning corporate wear as well as the male characters’ kaftans.
THE WEAK POINTS OF THE MINISERIES
The major flaw of ‘War: Wrath and Revenge’ is how questionable some scenes are. The scenes are blatantly implausible and this challenges the credibility of the plot. For instance, the scene where the governor was killed. How would you come to poison a governor in broad daylight and go scot-free? No camera in the office? Also, how did a crash investigator suddenly become a martial arts black-belt holder and could take down a ruthless terrorist?
The end of the series also seemed rushed and not conclusive. The end leaves me with several questions so I hope there will be a sequel. I think a more gradual and conclusive conclusion would have contributed to a more satisfying overall viewing experience.
THE FINAL VERDICT
‘War: Wrath and Revenge’ gets a 7/10
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